Song of the Week 10/12/07

Nada Surf - "Killian's Red"

Thanks to the good folks at Union Hall (You're the best Michelle! And Skippy, you're pretty awesome too) I got the chance to check out my favorite Brooklyn trio at their semi-secret tour warmup show last night. I went with Moria the concert pal, and when the band started this song, I had to lean forward and tell her that I always thought of her when I listened to this song.

For those who know the track, you must be thinking, "Damn, that's a pretty cold thing to say to a woman." That couldn't be further from the truth. My mind has linked Moria to "Killian's Red" because of a story she told me one time that involved the song. I won't go into any detail about the tale (I'm all for privacy, current administration be damned). All I will say that it is a bummer of a story, and that is something I can relate to on many levels.

As for the song itself (for those who have never heard it), it is perhaps the darkest set of words on Let Go. And considering this is the same album that contains "Inside of Love" that is really saying something. The ominous guitar figure that Matthew Caws lays down during the lengthy (more than a minute) intro foreshadows a tale of wanting, loss and cheap beer at a Brooklyn bar. There's a line that always, always gets me in this song: "I almost love this town/When I'm by your side." The second time that couplet comes around in the song you can feel Caws choking on his raw emotion when he delivers it. Then he when howls "siiiiiiide" directly after it, well, its one of those few goosebump moments encoded on a CD.

Eventually every track on Let Go will be a Song of the Week. You can bet on it.

Song of the Week 10/5/07

Lucinda Williams - "I Lost It"



I had forgotten how much I liked this song. I listened to it this week for the first time in a couple of years to prep for Williams' show Tuesday where she played Car Wheels on a Gravel Road in its entirety. Unfortunately for everyone in Town Hall (the audience, the band, the guys recording the show to sell as CD's afterwards), Lucinda was in one of her "moods," which meant her complaining repeatedly about her in ear monitors, whining about the show preview that was in Time Out and generally being on edge. It made the band tense (which was apparent from lackluster performance of the album opener "Right in Time") and made me annoyed enough to leave 3 songs into the second set.

Those complaints aside, "I Lost It" still rocks. And at least she didn't break into "Riders on the Storm" like she did a few weeks ago when I saw her at ACL.

Song of the Week 9/28/07

Bruce Springsteen - "Long Walk Home"



I stayed home a bit later than usual today to watch Springsteen and the E Street Band on the Today show. I made it through the cringe-worthy interview by Matt Lauer to see Bruce and the band looking pretty well rehearsed. The highlight was easily the double shot of "Last to Die" and "Long Walk Home." This one-two punch will likely become a highlight of the tour and is part of the closing quartet of songs on Magic that grow greater with each listen. "Long Walk Home" seems to be a young cousin to "My Hometown," with its description of a small town with its closed diners and flags flying at half mast over a courthouse. I really underestimated Magic in my first few listens. Now that my head is past the muddled production, the subtle message about the state of our country is revealing itself with each new listen.

BONUS: A longer version (with two extra verses) of "Long Walk Home" was unveiled near the end of the Seeger Sessions Band tour. I think that it's found a much better home as an E Street Band song, but decide for yourself:

Song of the Week 9/21/07

Wreckless Eric - "Whole Wide World"


I'm not one to often fall for songs featured in climatic scenes in films (the use of Aimee Mann's "Wise Up" in Magnolia notwithstanding) but damn, the placement of "Whole Wide World" in Stranger than Fiction just floored me. I won't spoil it if you haven't seen the film but it proved to me once and for all that Will Ferrell is much, much more than a great comedic actor. Fiction is a great quirky film that I regret waiting to see until it popped up on cable. And how could I not like a film that uses the music of Spoon throughout?

Song of the Week 9/14/07

Wilco - "Too Far Apart"

So I had to fly all the way to Austin to hear this song played live? And to see Jeff Tweedy wear a cowboy hat?


You know, maybe the hat was worth the trip alone.

When Tweedy and company broke out this track from A.M., I was simply stunned. It took until the chorus to register that I was seeing Wilco do a song I had never seen them do live. And this is a band I have seen over 20 times the past 10 years. I looked over at my friend Stacy with my mouth agape, and then found myself singing along.

"Too Far Apart" was part of a tremendous set that was miles away from the last time I saw Wilco in Austin, back on September 22nd, 2001. Flying down to visit Stacy would have been nerve-wracking at any time (my fear of flying was at its peak then), but 1o days after watching the towers fall was almost impossible. (Thanks to my friend, beer, I was able to do so.) Once I got to Austin I was still in a daze from all that had happened the previous week and a half. And when Wilco hit the stage the next night, they seemed like they were in a daze. They were playing only their second ever show as a four piece and the hole left by Jay Bennett's departure seemed too vast for them to overcome. Its still the worst Wilco gig I've ever seen.

This time Wilco in Austin was a joyous experience and easily slides into my Top 5 Wilco shows ever. Ah, what a difference six years makes.

Song of the Week 9/7/07

Bruce Springsteen - "Radio Nowhere"



Yeah, I know, its not hip to like Bruce and the E Street Band, but I still do. I first heard "Radio Nowhere" four weeks ago when one of the promo folks at Columbia dropped by to play it for us. I thought it was okay, but certainly not a good as The Rising tracks "Lonesome Day" or "Further on Up the Road." Yet I found myself humming it again and again that afternoon.

When the track leaked a week later I of course downloaded it and listened a few more times. It was then I realized its riff sounded suspiciously like Tommy Tutone's "867-5309 (Jenny)." I love that song, but I certainly don't need to hear Bruce ripping that off.

Then last week iTunes offered up a free download of "Radio Nowhere." Having the track in clear fidelity did something to my brain. I could not stop humming it at home, on the subway or at my office. Its not even that good of a song, yet there was no stopping my subconscious.

Oh well--we've had much worse choices for Song of the Week before, and I'm sure we will again.

As for Springsteen's new album Magic, I'd give it an early grade of C+; its slightly better than Human Touch and Lucky Town, but it sounds like any band could be playing behind him with Brendan O'Brien's muddled production.

Song of the Week 8/31/07

R.E.O. Speedwagon - "Keep On Loving You"



Sometimes there's nothing better than some good ol' drunken nostalgia at 3:30 a.m. Belting out "Keep On Loving You" across the bar to someone is a whole lot of fun.

A whole lot.

Song of the Week 8/24/07

Elvis Costello & the Attractions - "Blue Chair"



About two months ago I stumbled upon an Elvis Costello podcast titled The First 10 Years that was centered around the 800th reissue (okay, it's just the third, but it seems like more) of his catalog. Every week this brief feature (none clocked over 10 minutes) had some interesting interview clips from Mr. McManus talking about the various stops in the first decade of his career. Monday's podcast focused on Blood and Chocolate, an album best known for the epic, creepy, stalker-like love song "I Want You." Costello's frank discussion of the tension he felt with the Attractions at the time (echoed in his fine liner notes in the 2002 Rhino edition) compelled me to listen to the album on the way home from work. It was the second time I've listened to this bitter masterpiece this year (the first was, well, when I was bitter for some reason) and what struck me this time around is how loud it is. To paraphrase Spinal Tap, every instrument seems turned up to 15, battling to be heard over Costello's shouting. Blood and Chocolate has such a fascinating and unique sound that perfectly compliments Costello's blunt lyrics about divorce, breakups and comfy furniture. I think that's why its aged so well.

The next morning I rolled out of bed and when my feet hit the floor WFUV played the Blood and Chocolate track "Blue Chair." I like it when the SOTW is that simple.

Song of the Week 8/17/07

XTC - "Grass"

Sometimes it is this simple--"Grass" was the first song I heard when I woke up Wednesday. And then by some stroke of fate, the World Cafe played it just as I went to bed Wednesday night. Great song, kind of freaky moment.

Song of the Week 8/10/07

The Hold Steady - "Your Little Hoodrat Friend"

(Photo credit)

"I hope the Hold Steady plays rock and roll like Kent Hrbek played baseball." --The Hold Steady frontman Craig Finn, while wearing an authentic Hrbek jersey, at Brooklyn's Prospect Park last night

I could go on and on about how great this show was, but Finn's Twins analogy is about as apt as a description as I can think of for the band and how much joy they have on stage. (Those in the audience who weren't baseball fans might not get what Finn was saying, but I understood it perfectly.)

Picking one song out of the set to be SOTW wasn't that hard -- I had played "Your Little Hoodrat Friend" the previous Thursday at the Klimpter album release party, and after it was done guitarist Michael Boyd shared a story about seeing the band play that song at Bowery Ballroom before Separation Sunday was released. After that story, I ended up putting the song in a mix I'll be using in a couple of weeks. And the band's performance of it included a very touching story from Craig Finn about Minneapolis.

Someday I gotta go back there.

Klimpter's Release Party 8/2/07

I was honored that the guys in Klimpter (which includes three buds of mine from the bar) asked me to play some tunes at their album release party. Here's my pre-show playlist:

Buzzcocks - "Everybody's Happy Nowadays"
The Jam - "The Modern World"
The Replacements - "Color Me Impressed"
The Hold Steady - "Your Little Hoodrat Friend"
Dead Kennedys - "Bleed for Me"
Jawbox - "Breathe"
Naked Raygun - "Rat Patrol"
Soul Asylum - "Sometime to Return"
Gang of Four - "To Hell With Poverty"
Bloc Party - "I Still Remember"
Guided By Voices - "Game of Pricks"
Superchunk - "Hyper Enough"
Sugar - "Changes"
Husker Du - "Books About U.F.Os"
Firehose - "Down With the Bass"
Dinosaur Jr. - "The Wagon"
Mission of Burma - "That's When I Reach for My Revolver"
Interpol - "Heinrich Maneuver"
Nada Surf - "The Way You Wear Your Head"
The Undertones - "Teenage Kicks"
The Clash - "I'm So Bored With the U.S.A."
Ramones - "Pinhead"
Dead Boys - "Sonic Reducer"
The Minutemen - "This Ain't No Picnic"
Black Flag - "Rise Above"
Lackthereof - "What a Fool Believes"

Song of the Week 8/3/07

The Figgs - "One Hit Wonder"

(Photo by Lynn Hanson)

I'd write more about how amazing this performance of the band's 1996 single about being screwed over by the record business was Saturday night at Bowery Ballroom, but I've written so much crap at work in the past few weeks that my brain has kind of short circuited. So this brief entry will have to do.

Holy shit, I never thought I'd see a guitarist and bassist jump off the stage and play amongst the crowd at the Bowery. It was about as rock n' roll and rock n' roll gets.

Song of the Week 7/27/07

Ryan Adams - "Goodnight Rose"

Sometimes I think to myself, "Gosh, for a 37 year old guy, I'm a bit susceptible to outside forces influencing my life." I could write a book about how that applies to various parts of my life, but for now I'll stick with how that applies to the Song of the Week.

When I first listened to Ryan Adams' Easy Tiger, I dismissed it rather quickly. "There's nothing new here and it sounds like some rejects from Gold," I thought. Then my pillars of public radio -- WFUV here in New York and WXPN in Philadelphia --changed my opinion bit by bit. It seemed like one station or the other were playing Easy Tiger album tracks for most of this amazing summer. And all these spins seeped into my head somehow. The second time I listened to Easy Tiger it still seemed familiar, yet now it was in a good "these chicken wings at Bonnie's are just as good as the first 200 times I've eaten them" kind of way.

The public radio brainwashing reached its apex last week as I heard"Goodnight Rose" every single morning. I kept thinking it was a track from one of the 200 other albums Adams has released this century. Nope, it was Easy Tiger again.

If I ever date a woman named Rose, she's going to get sick of this song really quick.

Song of the Week 7/20/07

Kiss - "Love Gun"



I was certain this week's SOTW would be something by Electric Six. All the determining factors were there: my friend Dave was coming to New York for the first time in a decade to see them twice; we were going to see them play on a boat; and the band had just announced the release date of their new album. Yet when I saw Dave at Penn Station on Thursday wearing a Love Gun shirt, that song popped into my head and didn't leave. In fact, it's still kicking around in my skull four days later. Thankfully I could only remember the drum roll and the band screaming "Loooooove Gun, Loooooooooove Gun" and none of these dumb lyrics:

"I really love you baby
I love what you've got
Let's get together, we can get hot
No more tomorrow, baby, time is today
Girl, I can make you feel, okay"

Oh yeah, that's some pure Gene Simmons marketing genius there.

Song of the Week 7/13/07

Buffalo Tom -"Tree House"

Bill Janovitz is the most soulful rock singer I have ever seen.

Words have repeatedly escaped me the past three days when I have tried to describe B.T.'s performance of this Big Red Letter Day track. It was as if the song possessed Janovitz, causing him to throw his head back, close his eyes and sing as loud as he could until all of the energy in his body had been expounded. It was one of those magical moments you hope for at every concert yet rarely ever see.

The rest of the show, one of a few the trio is doing in support of the fine new album Three Easy Pieces, was fantastic too. Yet after that mid set moment, it all felt like one long encore. I know there's a bootleg floating around the net, and I can't wait to get a copy.

Song of the Week 7/6/07

Egghead. - "Sukeban Deka"

Remember this post?

Well, it happened Thursday. (And I didn't pay a dime.) And it couldn't have been any better. I would write more, but I'm still overwhelmed by how life-fulfilling a night it was at Lost and Found in Greenpoint. I recall saying to someone during the show that it was like going to a high school reunion, but you actually were happy to see everyone and spend a night in their company. And after taking part in an ending of sorts last week, seeing a reunion was a perfect counterpoint to my last entry.

I can't believe it, but my memories of "Sukeban Deka" had faded over the years. I had forgotten how kick ass of an ending it was. And watching singer-bassist John Bowie pick up his mic stand and hold it up to the crowd is a mental picture that will make me smile until I'm on my death bed.

Sometimes, life is all worth it. I mean, look at this grainy photo of joy (courtesy Joe S.'s cell phone):



(From left to right: Egghead single and album artist Dave Palmer; drummer Mike Faloon; superfan (and bootlegger of that night's show) Joe S.; singer-bassist John Bowie; Go Metric contributor and The In Crowd drummer Brian Cogan; singer-guitarist Johnny Reno; and GenTech vice president Clifford Nash.)

Song of the Week 6/29/07

Cheap Trick - "Surrender"

Bunnie England and the New Originals, Derby Day 2007

(from left: Paul Crane, Troy Messina, Paul Gill)

If you read last years Top 20, then you know of my creative rebirth as a member of Bunnie England and the New Originals. Thursday night we did our usual bi-monthly gig at Magnetic Field. Yet this one was rather bittersweet, as it was the last time we would have Troy behind the drum kit. He took a job as a professor down in Louisiana, making physics interesting for college age kids. (Um, well, that's what he's going to try to do.) I had known about this change for about three months, yet I still don't think I was prepared for how I felt once the night got underway. I found myself paying attention to a lot of the little details in the music; how Paul and Paul would look at each other for guidance in a song from the under-rehearsed depths of our songlist; how Paul G. would turn and make eye contact with Troy when they were going to wrap a song up; how a really great singer made their jobs so much easier; and how the three of them could really lock in and be, at that one moment, the best band on the planet.

I've read stories (and even interviewed some artists) about playing a preannounced final gig with a band. And for all my experience it usually boils down into two camps--it's either the worst night ever or the music gets carried to new heights. Thursday night was one of those nights where almost everything went right. (Well, except for where I jumped ahead a couple of measures in "Tie Your Mother Down" and the horrible take on "Tainted Love" as done by the Field's esteemed owners.) Now it's not like we were doing anything original musically, but there are points when a cover band can really knock your socks off. And I'm proud to say I got to front one of those bands for one night. Heck, I got to front one of those bands for almost two years.

Now it isn't like the band isn't going to continue in the wake of Troy's departure--the guys have lined up another drummer who we plan to start rehearsing with at the end of the month. And Troy himself was a replacement for Dave, who was in the drum seat when I first came on board as a host in 2005. But I truly loved singing and cracking jokes in front of Troy the past two years. He'd laugh at some of the stupidest comments a guy could make while on stage. And knowing that there was at least someone who would be entertained by my ramblings made my part of the gig that much easier. Also Troy had the perfect laid back attitude for when conditions were not at their best (battling drunken Brooklyn law students; battling drunken bandmates; weirdo Upper East Siders who wanted us to do drug deal for them; a tiny room of tiles at the Long Island bar where every note bounced around seemingly forever). And he encouraged me to play tambourine--what was the guy thinking?

The last song the four of us did was also the first song the four of us ever did--"Surrender." I'd pretty much stopped doing that song over the past year as I wanted to come up with some different set closers (and other songs I could actually fake enough so people thought I was singing in a key that humans can hear). Yet I knew that we'd have to bring that one out of retirement. And to prepare, I listened to it last week. A lot. Over and over again I played it in my iPod, wanting to bring out a performance from myself that I would be able to watch down the road and not totally cringe from the minute I opened my mouth. And I think all my listening and practicing worked. (My neighbors must have been tired of hearing me scream "got my Kiss records out.") I never felt more at home singing "Surrender" than I did Thursday night. There was no blanking on words or when to come in. I was able to walk around on stage, put my hand on Paul C.'s shoulder, then move over to Paul G. and put my hand on his shoulder and then skip back to Troy's kit just like it was a tune we did on tour five nights a week. Heck, we even got the "We're all alright" part at the end right for once.

As much as I'm not one for using props when we do Live Band Karaoke (my own duo gigs are something else), I knew I had to add something to make this performance different from all the others. So just before we hit the last verse, I walked towards the trusty music stand and grabbed up the only Kiss-related item I owned on vinyl--the Kiss My Ass tribute. It's a pretty crappy collection of tunes but all I cared about was that the cover showed a family in Kiss makeup. As I started singing the line "When I woke up, Mom and Dad are rolling on the couch" I walked back towards Troy's drum kit and showed him the cover. I don't think I've ever seen a guy laugh that much while playing drums and keep the beat going. That last on stage laugh made the whole night worth it.

The moments after we were done and I had finished packing up are a blur. There were a couple of really attractive women who sang that were talking to me, but I have no idea what they said. The thought that this little time frame in my life was over was just a bit overwhelming for a few minutes. Then I had another beer and I felt a little better. Yeah, beer always makes things better.

Before I close things out, I want to send special shout out to (in as close to performing order as I can recall) all the folks who came down and sang Thursday night: Abigail, Aaron, Barbara, Joe, The Colonel, Delia, Kathryn, Marya, Rad, Karen, Melinda, Monica, Homer Fink, Spike, Khalid, Dave, William, Lee, Todd, Michelle, Devon & Anya, Cassie and Bryan, you each contributed to making it one incredible night. And once again I want to wish all the best to Troy down in the bayou. I look forward to our reunion gig five years from now, so everyone can accuse us of doing it for the money.

Co-Songs of the Week 6/22/07

Wilco - "Side With the Seeds" and "Either Way"

I waited until after I saw Wilco at Hammerstein Ballroom Monday night to choose the Song of the Week. Of course, I listened to sooooo much Wilco the past five days that I couldn't just pick one. Damn you for being so good Wilco!

"Side With the Seeds" from Sky Blue Sky rocked at the Hammerstein. Nels Cline's guitar playing was smoking (check out the show here) and Jeff Tweedy really belted the lyrics out of the park--even if I have no idea what they mean.

Alas, they didn't play Sky Blue Sky's leadoff track, "Either Way." (Those lucky enough to go to Warsaw Tuesday night go that song and "Outtasite (Outta Mind)"--lucky bastards!) On Thursday I got some kind of upsetting news that was only cured by three hours of very late night drinking and great conversation with a friend of mine that this year has helped me rediscovered the Jamesons gene in my Irish DNA. Friday morning I woke up with a pretty clear idea that things were going to be alright. And when I heard these lyrics as I walked by P.S. 179 on my block, I knew Tweedy was telling me I was right:

"Maybe the sun will shine today

The clouds will blow away

Maybe I won't feel so afraid

I will try to understand either way"

Crap, now I have to wait until ACL to see them again.

Song of the Week 6/15/07

Queen - "Tie Your Mother Down"

A three weeks ago at Magnetic Field one of our singers broke the bottom of the mic stand. When they were done rocking through The Kinks, I climbed on stage and started joking about how I looked like Freddy Mercury holding this stand that could, well, no longer stand. I had no idea the guys had been fooling around with "Tie Your Mother Down" at their last rehearsal. Paul broke into the riff, I started yelling "oooh yeah", Paul and Troy kicked it in and I spent a verse making up lyrics about our broken mic stand until we hit the chorus.

It was exhilarating. Holy crap, it felt so good doing that song.

So the guys learned it and we opened with it Thursday night.

Oh my, I screamed so loud I didn't need the mic.

Seriously.

I mean, we didn't rock it like this:



But still, I felt like I was on stage at Wembley.

Wow.

UPDATE 6/20: In the comments below Mr. Boyd mentioned Queen (well, 1/2 of) and Foo Fighters (well, 1/2 of) performing it at the Rock and Roll Hall of Fame induction ceremonies in 2001. I was at the ceremonies for work, and I do remember this performance really rocking. Dave Grohl's and Taylor Hawkins' enthusiasm for the song and Brian May and Roger Taylor just shines throughout. And May does some blistering guitar work too:



My favorite part comes at 2:47--they've just hit the end of the last chorus, and Grohl throws his head back and just listens to those distinctive May and Taylor backing vocals. Talk about "kid in a candy store" face.

Song of the Week 6/8/07

Paul McCartney - "Dance Tonight"



Yup, Paul McCartney. A man, pardon me, a BEATLE (caps required) who hasn't released a single song in the past decade that I've given more than one cursory listen to. A man who has just released his finest album in 25 years (I'm still a sucker for Tug of War). Memory Almost Full (and this is not a full review, just a first impression) sounds like McCartney wanted to make an album made for the iPod that sampled his entire solo career. I've listened to it through regular speakers and it just doesn't have the same impact. But my oh my, its an incredibly addictive pop gem when I'm riding on the F train with the headphones cranked. Some songs remind me of the 1980 quirky entirely solo work McCartney II, others of the great Wings single "Junior's Farm" and at other moments XTC and (I swear) Guided by Voices. This week I couldn't stop listening to "Dance Tonight." Its one of the three weakest songs on the album, yet the mandolin hook kept bringing me back.

If I had to nominate the most surprising Song of the Week--perhaps ever--this one would be it.
(And hey, Natalie Portman looks cute in that video.)

UPDATE 6/13
My junior year roommate Hank has it as his SOTW as well--he sent me this email the other day.

"I had to pick up the CD when it was released for two reasons - 1) I was driving to Philly for the day. 2) Its a new Paul McCartney cd.

As soon as I played the first track Cindy [Hank's wife] adopted 'Dance Tonight' as the song for the baby. As apparently babies an hear music in the womb. She constantly plays the song over and over when driving, when she wakes up and when just in the house. Apparently the baby has responded well to that song (as well as the third track, 'Sunshine').

I know it is a simple song, which to your point, has a great hook.

I also dig 'Mr. Bellamy' from the album as it is pretty artsy."

I do believe this is the first time a baby and I have ever agreed on anything.

Co-Songs of the Week 6/1/07

Bright Eyes - "The First Day of My Life" and "Road to Joy"

The best decision I've made so far in 2007: getting tickets to two shows during Bright Eyes seven night stand at Town Hall.

The worst decision I've made so far in 2007: not getting tickets to more shows during Bright Eyes seven night stand at Town Hall.

The shows I saw Monday and Wednesday nights with Moria the concert pal will easily go down as two of the best this year. Like the entire run, both nights had great special guests (Monday = Rilo Kiley's Jenny Lewis; Wednesday = Death Cab for Cutie's Ben Gibbard), great live versions of songs from the fine new album Cassadega ("Soul Singer in a Session Band" kicks ass), a great mix of covers and older tunes and frontman Conor Oberst in a really great mood. Props go to the Bowery Presents folks who convinced Oberst to do this run and try to make it something special every night.

Monday's highlight was a reworked version of "The First Day of My Life" from I'm Wide Awake Its Morning. It could be called a "rocking" version, but that doesn't quite capture the rollicking groove that stellar drummer Janet Weiss injected into the song. It made a happy tune about love even happier. Look for yourself:



I smiled at the end of the song in spite of myself. As I searched for a clip of this performance, I stumbled across the very heartwarming video as well:



Awwwwwwwwwwwwwww. Its sooooo cute I might poop my pants.

Anyway, Wednesday closed with a shake the rafters and rip the seats out of this joint take on "Road to Joy." When Oberst yelled, "Let's fuck it boys, make some noise," the 17 people on stage (yeah, that's right, seventeen) made a cacophony of sound that was still ringing in my ears and my brain the next day. And while I didn't find a version from that night, the version that closed out the entire run Friday night was just as apocalyptic:



I was so pumped after "Road to Joy" I forced Moria to high five me. (Sorry about that MM, but thanks yet again for turning me onto Bright Eyes.) When we got on the F train to head to Brooklyn, I couldn't help but think I had witnessed an artist taking a leap up to a higher level and that fans will be talking about these Town Hall shows in the same way Bruce Springsteen fans reminisce about those legendary shows at the Bottom Line in 1975.

Song of the Week 5/28/07

Arctic Monkeys - "You Know I'm No Good"

Amy Winehouse + Arctic Monkeys = a surprisingly great cover. Those folks at BBC Radio 1 know what they're doing--without them I don't think anyone would have covered Gnarls Barkley's "Crazy."

Okay, maybe not.

Song of the Week 5/18/07

Ace Frehley - "New York Groove"


I enjoy turning on "young" folks to some cheesy 70s rock every once in a while. Such was the case early Thursday morning as my friend Brian and some other folks took a slow crawling F back to Brooklyn after a rain-delayed Mets-Cubs game at Shea. One of Brian's friends mentioned he was going to play "New York Groove" at some party, and Brian commented that he never heard the song. I was surprised, since the Mets have played "New York Groove" during parts of games for many years (and Brian is only five years younger than me). So I took out the iPod, scrolled to the "A" section and turned over my headphones. It was funny watching Brian (who's a drummer) start bobbing his head as the slinky, late 70s beat took over during the chorus. It was even funnier when he kept singing the chorus during various parts of our seemingly never-ending subway ride. I'm sure the people sharing our car enjoyed it.

As if the Mets wanted to back up my point, during today's Subway Series game they played it again. Now I have no doubt--"New York Groove" sounds really great coming through big stadium speakers.

Song of the Week 5/11/07

Wilco - "What Light"

I've been listening to the new Wilco album for almost three months now (friendships with publicists do pay off once in a while) and I'd have to rate it among their finest--and definitely the best since Summerteeth. Jeff Tweedy has written his most direct and honest songs ever, and the rest of the sextet have created sympathetic arrangements that make those simple words and phrases shine. Alas, it seems most folks (a.k.a, the ones who bent over backwards for the experimental-leaning Yankee Hotel Foxtrot and A Ghost Is Born) don't seem to understand the open and tenderly optimistic vibe this album strives for. Oh well, its their loss. "What Light" is the lead track of the album, and it's opening lines seem to sum up its mission statement:

"If you feel like singing a song

And you want other people to sing along

Just sing what you feel

Don't let anyone say it's wrong."

I really hope that critics -- but more importantly -- the high and mighty music bloggers and indie geek fans come around to what is a stunning gem of an album.

Song of the Week 5/4/07

The Who - "How Many Friends"



Ever have a song just pummel you upon first listen? Where the lyrics make you sit still in one place and block out everything going on around you? And when its over you get that feeling deep in the pit of your stomach that things aren't ever going to be the same?

If so, then don't listen to this Song of the Week, cause you're not going to feel any chipper.

I had never heard The Who By Numbers all the way through until this week (I'd heard "Squeeze Box" a zillion times in my classic crock days), and after getting through "How Many Friends" I felt like a total fool for letting this album be the gap in my Who education. I'd go into an in depth discussion about songwriter Pete Townshend's mindstate in 1975 when he wrote this track, but my boss (and in-house Who expert) Ira Robbins nailed it all when we had this email conversation the day I first listened to "How Many Friends:"

SR: I'm listening to Who by Numbers for the first time ever right now, and I gotta say that this album is pretty damn good (especially "How Many Friends"). What were/are your thoughts on it?

IR: The first time I heard it was over the store system at what was the Sam Goody's across the street. I could hear it clearly, and knowing Pete's mind as well as I did then (which is to say more than now, if not very well at all), I found it absolutely heartbreaking. I recall "How Many Friends" brought a tear to my eye. I absolutely love that album (except for "Squeeze Box"). My favorite of theirs after the early ones

SR: Yeah, I always thought "Squeeze Box" was the weakest Who song that was in regular rotation on the rock station in Albany. "Slip Kid" was the only other song I knew on it. Geez, that "How Many Friends" is just a stunner when you read the lyrics on the page.

IR: Absolutely. I think he was close to suicidal.

I can only imagine. Take a peek and judge for yourself:

"I'm feelin' so good right now
There's a handsome boy tells me how I changed his past
He buys me a brandy
But could it be he's really just after my ass?

He likes the clothes I wear
He says he likes a man who's dressed in season
But no-one else ever stares, he's being so kind
What's the reason?

How many friends have I really got?
You can count 'em on one hand
How many friends have I really got?
How many friends have I really got?
That love me, that want me, that'll take me as I am?

Suddenly it's the silver screen
And a face so beautiful that I have to cry out
Everybody hears me
But I look like a fool now
With a cry and I shy out

She knows all of my friends
But it's nice to find a woman who's keen on living
Now I think I've reached the end
I wonder in the dead of night - how do I rate?

How many friends have I really got?
How many friends have I really got?
How many friends have I really got?
That love me, that want me, that'll take me as I am?

It's all like a dream you know when you're still up early in the morning
And you all sit together to watch the sun come through

But things don't look so good when you could use a bit of warning
Then you know that no one will ever speak the truth
About you

How many friends have I really got?
How many friends have I really got?
How many friends have I really got?
That love me, that want me, that'll take me as I am?

When I first signed a contract
It was more than a handshake then
I know it still is
But there's a plain fact
We talk so much shit behind each other's backs I get the willies

People know nothing about their own soft gut
So how come they can sum us up
Without suffering all the hype we've known
How come they bum us up

How many friends have I really got?
Well you can count 'em on one hand
How many friends have I really got?
How many friends have I really got?
That love me, that want me, that'll take me as I am?"

Geez, I am SO happy I didn't hear this song last May. I'd be in a looney bin right now, or perhaps worse.

Derby Day 2007: Steve's Indie Scrapbook 5/5/07

Wow.

Next Derby Day, please someone remind me not to have Maker's Mark at 4 a.m. Thank you.

Here's the songs you might have heard after the guys were done rocking last night:

The Replacements - “Can’t Hardly Wait”
Soul Asylum - “Sometime to Return”
The Hold Steady - “Chips Ahoy”
Sonic Youth - “Bull in the Heather”
Guided By Voices - “I Am a Tree”
The Figgs - “Bad Luck Sammie”
Nada Surf - “Do It Again”
Robyn Hitchcock & the Egyptians - “Flesh Number One”
The Lemonheads - “The Great Big No”
The Pixies - “Ed Is Dead”
Blur - “There’s No Other Way”
Jellyfish - “The King is Half-Undressed”
Let’s Active - “Every Dog Has Its Day”
Elvis Costello & the Attractions - “Blue Chair”
Echo & the Bunnymen - “People Are Strange”
Hoodoo Gurus - “What’s My Scene”
Teenage Fanclub - “What You Do to Me”
Sugar - “If I Can’t Change Your Mind”
Matthew Sweet - “Sick of Myself”
L7 - “Pretend We’re Dead”
Modest Mouse - “Dashboard”
Morrissey - “Suedehead”
Scruffy the Cat - “You Dirty Rat”
Buffalo Tom - “Treehouse”
The Strokes - “Under Control”
Ryan Adams - “Hallelujah”
The Pogues - “London Girl”
Talking Heads - “(Nothing But) Flowers”
Cake - “I Will Survive”
The Waterboys - “Fisherman’s Blues”
Guided By Voices - “Bulldog Skin”
World Party - “Ship of Fools”
Wilco - “What Light”
XTC - “That’s Really Super Supergirl”
Violent Femmes - “Do You Really Want to Hurt Me”
Lackthereof - “What a Fool Believes”
Fountains of Wayne - “It Must Be Summer”
Ben Folds Five - “Where’s Summer B.?”

Song of the Week 4/27/07

Graham Parker and the Shot - "Break Them Down"

I never expected to see a great rock show in Washington, D.C. when I booked my bi-annual trip to see the Mets play the Nationals back in February. Yet that's exactly what I got last night at the Black Cat from Graham Parker and The Latest Clowns. Parker was supporting his fine new album Don't Tell Columbus with a star-studded lineup of Boston musicians assembled by The Figgs' Mike Gent...who played drums on Don't Tell Columbus and was filling the same slot on the tour.

(I must admit, I found it odd watching Gent behind the kit the entire time, having to be the steady beatmaster instead of the passionate lead guitarist when The Figgs have backed Parker over the years.)

Don't Tell Columbus doesn't rock as much as Songs of No Consequence, the album Parker did with the Figgs two years ago. It's more of a mid-tempo singer-songwriter affair, with a healthy dose of keyboards. With the new album in mind, Gent pulled together a fine roster of folks to bring Parker's tunes to life on this tour--Rudds guitarist Brett Rosenberg, The Gentlemen and Gravel Pit bassist extraordinaire Ed Valauskas and keyboardist Scott Janovitz. Besides the hand-picked musicians, I'm sure Gent had a little bit to do with the set that featured songs Parker hasn't played with a band in at least a decade. The keyboards allowed Parker to dip into the first album in his catalog I ever heard, 1985's Steady Nerves. "Wake Up (Next to You)" did indeed sound great (with a soaring guitar solo from Rosenberg aptly filling in for the recorded version's sax solo), but "Break Them Down" was easily the best song of the night. This tale about Christian missionaries imposing their will upon Central and South America (which seems like a thinly veiled jab at Reagan's mid-80s policy in the same areas) had slipped through my memory banks for many years until it came up one day while I was listening to the WOXY Vintage Channel. Sunday night the Latest Clowns flat out rocked this track, making me wish that the next release in Parker's official bootleg will be something from this oh too short tour.

Song of the Week 4/20/07

Feist - "1 2 3 4"


My lifelong habit of singing and humming along to songs (especially in a car by myself) is something I picked up from my aunt. While I was visiting her this weekend she was humming along to some song, so I needed to get a tune into my head to combat the noise she was making. All of sudden "1 2 3 4" popped in there...and that was it. This song was stuck in my head for two full days until I was able to pop the iPod on and give it a spin. And another. And then another.

Such a simple chorus about moving on from a crappy relationship never seemed so uplifting:

"Oh, oh, oh,
You're changing your heart.
Oh, oh, oh,
You know who you are. "

You'd have to be even more of a cold-hearted son of a bitch than yours truly not to soak in the joy of this song. And while I know every other blog in the universe has linked to this, you'd have to be dead not top having fun watching the video:



Feist, I think you've reserved a place at the top of my singles chart for 2007.

Song of the Week 4/13/07

Guster - "Two At a Time"

If you're a band playing a sold out concert at New York's Beacon Theater the night before the biggest spring rain storm in the city's history hits, how do you mark this once in a lifetime occasion? If you're a great little quartet called Guster, you pull out a an old hidden track about Noah's Ark. "Two at a Time" isn't listed on the CD of Keep It Together (it is listed on iTunes, as you can see clicking the link above), yet when I interviewed drummer Brian Rosenworcel four years ago I felt compelled to ask him about it, even if we would never use that part of the interview for work purposes. The song has a weird keyboard loop that gets it rolling and features a ton of elementary school children singing the chorus. It's just a strange and hypnotic yet very catchy song, one of the many on Keep It Together that turned me into a full-fledged fan. When I asked Brian why the song was tucked away as a hidden track he said (I'm paraphrasing here), "Hmm...a song about Noah's Ark from three Jews with a bunch of kids singing background vocals on it--you try to drop that into an album sequence." I had to admit, he had a point.

During last night's show the band was joined on a few songs by their friends violinist Tom and cellist Jody (I didn't catch their last names). The live strings sounded just about perfect on "Two at a Time." And as I stepped into the rain after a few hours of boozing it up, I couldn't help but have these lyrics in my head:

"I could see the rains a-comin'
To wash away the filth and vermin
Hand-in-hand, we'll watch them runnin"

Alas, the filth and vermin didn't include Mr. Big. I think I'll let someone else tell that story down the road.

SOTW Bonus: Here's the aforementioned strings making "Satellite" sound the best I've ever heard it:

Song of the Week 4/6/07

The Hold Steady - "Atlantic City (Live)"

(pic borrowed from Fresh Bread)

It's not often I steal from myself, but what I sent in to the good folks at Stereogum about the Music for Bruce Springsteen tribute last night works just fine here:

"Overall, the gig was a snoozer (dear lord, why did someone let Kevin Bacon sing "Streets of Philadelphia") but the show's producers knew what they were doing by putting the best two performances at the end. First old folk legend Odetta came out (was wheeled out, actually) and did the best version ever of "57 Channels (and Nothing On)." And then the closing spot was our Brooklyn-via-Minneapolis guys. Not surprisingly, their version of Nebraska's "Atlantic City" was flat out amazing. Their arrangement was similar to the one Springsteen and the E Streeters used on their 99-00 reunion tour--slow through the first verse and chorus, and then exploding into a wall of sound for the rest of the song. The Springsteen fans in the audience ate it up. Craig Finn's smile and hand interpretations of the lyrics as he sang were infectious. These guys need to record that cover and put it out, maybe as a benefit for the event's charity, Music for Youth.

Then the crowd got the surprise they were waiting for with Springsteen walking on stage.

The Boss did "the Promised Land" and "Rosalita" solo acoustic then invited everyone on stage to do "Rosalita" again with the house band. He asked for volunteers to sing verses, and I felt compelled to yell out Craig's name. So he took the first verse and from my 8th row seat, I don't think I've ever seen Springsteen happier seeing someone else sing his word. Craig nailed it, and then pogoed to the side of the stage. Then as the song got to the fourth verse, Bruce called out for Craig to sing lead again. The best part was when Craig got to the line "There's a little cafe/where they play guitars all night and day," and he pointed to Bruce to do that infamous lick on the acoustic guitar. As a Springsteen and Hold Steady fan, it was a magical moment."

Damn, someone MUST have recorded it.

Song of the Week 3/30/07

Robyn Hitchcock & the Venus 3 - "NY Doll"

Last fall I wrote the following line about this track from Ole Tarantula:

"'N.Y. Doll' is sung from the point of view of the late New York Dolls bassist Arthur Kane. I honestly don’t know much about Kane and his life, but I can’t imagine any man getting a finer tribute in song. It’s the perfect closer to great album."

Over the past few months I've listened to this track over and over again and I'm convinced it's one of the finest songs Hitchock has ever written. The day before seeing Hitchcock and the Venus 3 at the Knitting Factory, I discovered a clip on You Tube from the new documentary Sex, Food, Death...and Insects:


I couldn't help but think of what Peter Buck said in that clip when they played it Tuesday night. It was beautiful performance in another geat show put on by this group of musicans. One can only hope they'll continue to work together in between the times the R.E.M. machine has to roll around the world.

And just because I can, here's Hitchcock and company playing "N.Y. Doll" just a couple days ago:

Song of the Week 3/23/07

Hoodoo Gurus - "Like-Wow Wipeout"

The Police. Genesis. Hoodoo Gurus.

Okay, the first two are selling tens of thousands of tickets because they reunited for the first time in many years. But I was absolutely ecstatic to see the third act return to the U.S. after a 14 year absence. I was so excited that I even went to B.B. King's (blech) in Times Square (double blech) to see them. For a band marking the 25 year anniversary of their debut single, they rocked just as hard as groups half their age. And seeing "Like-Wow Wipeout" in a New York club was thrilling. I couldn't help but scream along to these words frontman Dave Faulkner penned about the band's first trip to the Big Apple:

"I kiss the ground on which you walk,
I kiss the lips through which you talk,
I kiss the city of New York where I first met you."

As a bonus, here's the very colorful video:



They're supposedly coming back in October. There were so good that I would skip a Mets playoff game to see them again.

Paul Gill's 40th Birthday 3/23/07

Friday night was a rollickin' good time at Magnetic Field as we celebrated my bandmate Paul's 40th birthday. As if to prove that life doesn't end at 40, the band played a wild and somewhat drunken set with great performances by a bunch of regulars. Then our stellar soundman Chris broke down the equipment so I could DJ for a couple of hours. Here's what you heard (or what you missed if you were a little too drunk to remember):

Nada Surf - “Blankest Year”
Cheap Trick - “Hot Love”
Guided By Voices - “Motor Away”
The Replacements - “Color Me Impressed”
The Figgs - “Ginger”
The Knack - “Good Girls Don’t”
MC5 - “High School”
Ramones - “Judy Is a Punk”
Big Star - “In the Street”
Blue Oyster Cult - “Godzilla”
The Monkees - “I’m Not Your Steppin’ Stone”
Joe Jackson - “I’m the Man”
Soul Asylum - “Sometime to Return”
The Only Ones - “Another Girl Another Planet”
Raspberries - “Go All the Way”
The Soft Boys - “I Wanna Destroy You”
Robyn Hitchcock and the Egyptians - “Madonna of the Wasps”
Hoodoo Gurus - “Leilani”
Humble Pie - “30 Days In the Hole”
Graham Parker and The Rumor - “Discovering Japan”
The Nazz - “Open My Eyes”
NRBQ - “Riding In My Car”
Badfinger - “Day After Day”
The db’s - “Love Is For Lovers”
The Beatles - “A Hard Day’s Night”
The Lovin’ Spoonful - “Do You Believe in Magic”
Nick Lowe - “Cruel to Be Kind”
The Strokes - “Someday”
XTC - The Mayor of Simpleton”
Jellyfish - “Baby’s Coming Back”
Lemonheads - “Different Drum”
Elvis Costello and The Attractions - “Radio Radio”
The Modern Lovers - “I’m Straight”
The Pretenders - “Stop Your Sobbing”
The Kinks - “Days”
Bee Gees - “To Love Somebody”
Teenage Fanclub - “What You Do to Me”
Nada Surf - “Happy Kid”
Sugar - “Helpless”
Matthew Sweet - “Sick of Myself”
Raspberries - “Tonight”
Big Star - “September Girls”
Weezer - “Photograph”
The Posies - “Dream All Day”
The Smithereens - “Only a Memory”
The Buzzcocks - “Even Fallen in Love”
Brendan Benson - “Spit It Out”
The Candy Skins - “Wembley”
The Cars - “Let’s Go”
The Figgs - “Jumping Again”
Guided By Voices - “A Salty Salute”
Jonathan Richman - “Springtime in New York”

Song of the Week 3/16/07

Pete Yorn - "Splendid Isolation"



I finally got to see Pete Yorn.

Finally.

I mean, I've missed this guy every time he's played in New York since 2002 because of:

--I had a DJ gig

--I was upstate visiting family

--I got to Jones Beach too late because of subway hassles and traffic on a Friday (Yorn was opening for R.E.M.)

--I was going out of town to see The Figgs (twice!)

--And I was in Austin for ACL.

I almost thought I wouldn't make it this time due to the snow/sleet/freezing rain/ice cube storm that seems to strike us every March just after we've gotten that taste of sunny spring weather. Yet I slid along the streets of midtown with my friend Molly up to Roseland to catch Yorn and his band deliver a great set that included this cover of my favorite song from Warren Zevon's 1989 album Transverse City. Yorn covered it for the Zevon tribute disc Enjoy Every Sandwich and threw it on his latest album Nightcrawler. This week I listened to that album a couple of times to refresh my memory and every time "Splendid Isolation" came on, I thought, "Wait, this is on this album? I love this cover."

And I really, really hope Viacom doesn't destroy You Tube. How else would I be able to show you visual proof of the song:



I love the shaky camera work. And I love these lyrics too, even if they are a bit dated:

"Michael Jackson in Disneyland
Don't have to share it with nobody else
Lock the gates, Goofy, take my hand
And lead me through the World of Self

Splendid Isolation
I don't need no one
Splendid Isolation"

And you know what, this bridge is pretty great as well:

"Don't want to wake up with no one beside me
Don't want to take up with nobody new
Don't want nobody coming by without calling first
Don't want nothing to do with you"

Yorn has written some really good songs, but he'll never match Zevon's pen.

Song of the Week 3/9/07

Ben Kweller - "Penny on a Train Track"

After watching BK's set get cut short last year due to a wicked nose bleed, I finally got to see my fellow Brooklynite play an entire set Friday night at Webster Hall. Last fall Kweller toured with a six piece band, allowing him to flesh out the arrangements from his fantastic self-made and self-titled 2006 album. This time around the States Kweller stripped his band down to a trio and I couldn't help but think it was an improvement. Since he had no one else to help out with guitar and keyboard parts, Kweller had to focus on carrying the songs by himself. And with the rhythm section of Chris Morrissey and Mark Stepro locked into a groove that can only be honed over a tour behind him, Kweller was--quite simply put--on fire. Great solos, powerful vocals and witty banter--the kid had it all on this night.

"Penny on The Train Track" was the final song, and the best, of the night. Kweller introduced it by saying he had shot a video with his grandmother dancing to the song, and he seemed genuinely surprised to announced that the video had been played on MTV's TRL. And then the pure enthusiasm and joy he poured into his performance was so infectious that I couldn't stop myself from singing along to every word.

When I got home (a trip which took 2 hours and 15 minutes, MTA fuckers!) I searched for this "Penny On the Train Track" clip. And Kweller was right--it's just a fun video of his grandmother dancing and occasionally lip-synching to the song. May it get played on TRL some more:

Song of the Week 3/2/07

Amy Winehouse - "Rehab"
I've heard this slice of British soul for a couple of weeks now on the World Cafe and it never fails to make me laugh. Not because of anything in the song itself--it's just that the celeb rehabs of the year (Britney, Lindsey, Isiah Washington) seem to have diluted the whole concept. Check in, check out, do whatever since you'll be out in 28 days not any better physically of emotionally. I suppose I could be wrong, I have been before.

Winehouse has a great smoky voice and looked pretty smoking...until the past few months. Looking at these comparison photos of Ms. Winehouse from 2004 till now, perhaps she needs a dose of rehab herself:

Last fall.........and here's 2004

Whew--where did all that sexy weight go? Maybe "Rehab" is a true life tale. In any case, Amy Winhouse's second album, Back to Black, is due out March 13th.

Song of the Week 2/23/07

The Figgs - "Gonna Get Out (Live in San Francisco 2001)"


This week I finally got my act together to catch a Figgs show outside of the NYC area as I hitched a ride down to Philadelphia with The Figgs own master of the drum kit Pete Hayes. It had been almost two years since I had seen the guys out of town. And even worse, it had been eight months since I had seen the band play anywhere, which is the longest I have ever gone in between Figgs gigs in 12 years.

12 years!

No wonder my life has seemed fucked up at times! It's a simple equation:

No live Figgs = Steve's life isn't as good as it should be

On Friday afternoon I made the quick trip from Brooklyn to meet Pete at his office, listening to a great bootleg from the second leg of the Sucking in Stereo tour. Recorded at the Bottom of the Hill in San Francisco in March of 2001 the show is just smoking. They were in the middle of a lengthy tour, they were feeling ragged (Mike Gent even says he's exhausted on mic a couple of times) and the generator in their truck was on the fritz--yet they still deliver a great gig. I chuckled out loud on the C train when Pete Donnelly said, "We can play that, and I know Mike wants to do a guitar solo and he can do it in this song." The band breaks into "Reject," which at the time was the template for any lengthy jamming the guys did. And oh does Mike rip one balls-to-the-wall solo. It's a work of sonic riff art.

Back to the present: Friday night's show was at a place called The Parlor...which was a former funeral parlor turned into performance space/dance studio. (And Pete and I must have passed 20 funeral parlors going down Broad Street, which was kind of creepy.) The gig was a release party for a local band Pete D knew and The Figgs were headlining. And this was a par-tay--a great appreciative crowd into all of the night's music; free food, beer and wine; a girl wearing a low cut shirt that almost made me and my buddy Dave snap our necks staring at her; and a drunk (and I think kinda insane) woman yelling in my ear while I was trying to dig the guys cover of Talking Heads' "Love->Building on Fire."

The show was a blast, even if the guys were a bit sloppy at times. But the best part was when Mike said he wanted to solo (and yes, I did laugh to myself, think about my subway trip early in the day) and he started playing the riff to "Gonna Get Out." This version (which I estimate clocked in at around 8 minutes) was the best performance I have ever seen of this song. And I mean ever. Here's what we saw:

--Mike singing along to the slowed down riff of the tune, stating that he was doing it "like George Benson."

--Mike changing the line "we're not gonna be here" to "we're still gonna be here," as if it was a statement of defiance.

--Mike and Pete D jumping off the stage into the crowd during the solo, in which they did a kind of dueling riff battle in front of a bunch of worshiping fans.

--While that was going on, one of the people working the event brought a six pack of beer up to the stage. Pete H started yelling at the guy to get his attention and then motioned repeatedly for this dude to open the beer and then put it up to Pete's mouth. At first this guy was kind of thick--Pete had to yell what he wanted at least five times before the guy caught on. Once the precious beer was in Pete's mouth, he preceded to keep playing and at the same time downed more than 2/3 of the bottle. As a fellow beer drinker, it was a sight to behold. The crowd started yelling, which in turn caused Mike and Pete D to turn around and see what caused all the commotion.

--After Mike and Pete D climbed back on stage, Mike suggested that they switch instruments and that Pete do a solo. So we were treated to a great guitar solo from Mr. Donnelly, this one a wall of noise that made me think of Sonic Youth, of all bands.

Finally they switched back to their regular instruments and they brought the song to a thrilling conclusion. After that performance, I think The Figgs should just retire "Gonna Get Out." It's never gonna get more entertaining than that night.

As a Song of the Week bonus, right click on "Gonna Get Out" in the title of this entry to download a solo-filled version of the song from the previously mentioned San Francisco bootleg. Or if you want the whole thing, head to Captain's Dead.

It Took a Bit of Time...

...but The 17th annual Top 20 is finally archived on the site. Check it out on the sidebar below to the right, or just click here.

Song of the Week 2/16/07

Justin Timberlake - "What Comes Around...Goes Around"

This year was the 12th edition of the Grammys I had to cover and about the only thing I remember a few days later is that Justin Timberlake probably should have done more than just three songs. "What Goes Around..." is the third great single from FutureSex/LoveSounds in a row, and Timberlake's performance of it was the best part of the Grammys. And not to take away from this guy's talent (because it's obvious to even a jaded person like me he's got it in spades) but the fact that he was the highlight of the telecast is just a sad reminder of how bad the show had gotten over the years. When was the last time a rock band or artist gave a memorable appearance on this show? I seriously can't remember.

I will say that the above video is just so over the top that I expect the JT backlash to begin at the end of the sentence. And it's always nice to see Scarlett Johansson dressed in revealing outfits.

Song of the Week 2/9/07

John Mellencamp - "Hurt So Good"

This week I interviewed John Mellencamp for the first time. And surprisingly he was a cordial and funny man to talk to. So I knew that we'd have to open Live Band Karaoke with "Hurt So Good," the only Mellencamp (pardon me, John Cougar) song in our repertoire. It was a bit rough at a couple of points (which was par for the course the entire night) but it sounded much better the second time around when this girl Katie sang it late in the set. She changed the lyrics to a female perspective and did a damn good job of it.

Later on Thursday night I lived out part of these lyrics:

"Don't have to be so exciting.
Just tryin' to give myself a little bit of fun, yeah.

You always look so invitin'
You ain't as green as you are young

Hey baby, its you.
Come on, girl, now, its you.

Sink your teeth right through my bones, baby.
Let's see what we can do."

And who doesn't love a little bit of unexpected fun? I know that I do, and did.

Song of the Week 2/2/07

Steve Winwood - "While You See a Chance"

So tons of kids have hit songs as their cell phone ringtones--or at least that's what I've been told. I think only one person I know has had a "hit" song play when their cell rings. So this week was a first when someone's ringtone reminded me of an old song. A person who I work with (I'll let the guilty party stay anonymous) got a new phone and left the ringtone at the factory setting. When the phone rang for the first time, it sounded like some creepy song you'd hear in a dentist's office or an elevator. A certain way the keyboard riff faded in during the ring reminded me of some song from the past, and after hearing that painful ring a few times I realized that the keyboard tone was similiar to the one throughout "While You See a Chance." I downloaded the song and then played it every time my co-worker's phone rang.

Damn, that continues to be funny. And it caused me to listen to the entire song repeatedly during this week.

Song of the Week 1/26/07

Earth Opera - "The Red Sox Are Winning"

I know we're only in the first month of the year, but I do believe I have a guaranteed entry in my Top 10 Reissues/Compilations/Etc. list for 2007. Forever Changing: The Golden Age of Elektra Records 1963-1973 surveys a decade of releases from the label that brought us everyone from Judy Collins to The Doors and Carly Simon to The MC5. This five CD set is packed with some so-so folk songs, some so-so early '70s singer-songwriter tracks and a whole bunch of weird shit. Listening to the second and third CD discs Wednesday night while doing laundry I thought my iPod had suddenly tuned in WFMU. One great '60s gem after another made for perhaps the best night of laundry ever. And the highlight had to be this track from Earth Opera. The liner notes say this Boston band got caught up the "Bosstown Sound" hype of the mid-to-late-60s. I just think these once and soon-to-be-again bluegrass musicians just got their hands on some great drugs to make this song. There's a xylophone solo, weird lyrics about wars and arranging hair while looking in a mirror, a bridge that sounds stolen from a Gershwin tune and a hook about the 1967 Sox "Impossible Dream" team. Whew, it's almost too much for a brain unaddled by drugs to take.

I suppose I shouldn't have been shocked to find that one of the main forces behind Earth Opera's everything but the mushroom-filled-kitchen sink sound was David Grissman, who later went on to make bluegrass recordings with Jerry Garcia.

Oh, and did I forget the over-the-top lyrics at the end of the song? Here you go:

"Let's make Boston America's number-one baseball city. Kill the hippes! Kill the hippes!"

WOW. I'm glad I was born in the '60s, but even more glad I wasn't old enough to be aware of anything until 1973.

Song of the Week 1/19/07

Teddybears featuring Iggy Pop - "Punkrocker"

Damn Cadillac Commercial:



This song has been stuck in my head for days after hearing it during some football or hockey game. At least the video is slightly better:



Um, is there anything about this song (or this post) that screams "punk rocker?" I think not.